this area is a reflection of a growing movement of young artists in the industrial heart center Guatemalan act and intervene to stop there permanently embodied identity.
twelve area more specifically Athanasius Tzul road is the scene only since a few years for various expressions juveniles are played the walls of the industrial zone in Guatemala.
an industrial zone which houses a large number of people exploited in the garment industry seems to be oblivious to the messages of young artists.
Similarly much of the working population sample unknown rebel Indian leader Athanasius Tzul. Quiche leader credited with Lucas Aguilar led an indigenous uprising in San Miguel Totonicapán, in July 1820. the cause of this rebellion was against the payment of taxes
an industrial zone which houses a large number of people exploited in the garment industry seems to be oblivious to the messages of young artists.
Similarly much of the working population sample unknown rebel Indian leader Athanasius Tzul. Quiche leader credited with Lucas Aguilar led an indigenous uprising in San Miguel Totonicapán, in July 1820. the cause of this rebellion was against the payment of taxes
Athanasius Memorial Tzul
One of the workers said they know who is the leader of the Quiché and content or meaning of the paintings. Many times we find that the walls are painted but "... by the rush of the little factory we are interested ..." concludes with a smile.
for his companion (who likewise refused to be photographed) "... is nice, but do not understand ..." is irrelevant.
This photograph was taken in Zone 1. the work is "Dope"
for artists as "DOPE " creations are individual and there are codes of ethics for the respect of other interventions, although these disputes often begin with spot over other works.
all photographs were taken on the road Athanasius
Tzul
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